Current Course Offerings
Upper-division offerings:
FREN 3595 – Making Sense of Language
The way we use language is crucial to our existence: to our education, our relationships, and our careers. As human beings, we are all “born linguists” in that we internalize very early the most fundamental rules of language use. Yet we remain “naive linguists” until we become fully aware of all the possibilities and problems that our language abilities involve. The purpose of this course is to help you bridge this gap and comprehend what language is, what specific phenomena are involved in using it, why we should want to study them, and what such a precise understanding brings to everyday life as well as to academic work.
FREN 4371 – 19th Century Best Sellers
In this course, we will read many of the most widely-sold (but not necessarily the most well-received) works of the nineteenth century; learn about how they were published, marketed, and received by critics and readers alike, and locate their place in today’s literary canon. Our inquiry will be framed by essays on developments in print technology, literacy and the culture of publishing in the nineteenth-century. Some of the questions that will guide us during the semester are: How did drastic changes in primary education, print technology, literary patronage and publishing in nineteenth-century France affect the kind of books that were sold? Did high sales in one century translate into literary value in the next? Is there a correspondence between negative nineteenth-century criticism and critical importance in the twentieth? Was there a social difference between those who were reading and those who were evaluating this literature? How does the notion of literary value respond to the pressures of mass media markets? Readings with include Eugène Sue’s Les Mystères de Paris (excerpts) and Victor Hugo’s Les Misérables (excerpts), la Comtesse de Ségur’s Les Malheurs de Sophie, Jules Verne’s Le Tour du monde en quatre-vingts jours, Emile Zola’s L’Assomoir and a 21st century bestseller, Muriel Barbery’s L’Élegance du hérisson. This course fulfills the upper-division post-1800 literature requirement for the French major.
FREN 4555 – Visions of Empire
In Visions of Empire, students will explore and analyze the diverse, sometimes contradictory, visual representations of French imperialism. Specifically, we will examine how the French colonial empire, its colonized populations, landscapes, and architecture were depicted in France and within the colonial space during the 19th and 20th centuries. We will explore the political, cultural, economic, and social implications of these representations. Throughout the semester, we will collectively reflect on the role of visuality and the meanings and practices of imagery in (post)colonial French history. What role did photography, posters, caricatures, and cinema play in the French colonial expansion? How did the French perceive their empire and how did colonized populations respond to, challenge, or oppose these perceptions? How were French conceptions of race influenced and negotiated visually? How is French colonial history represented today? Through the study of various (post)imperial visual productions and drawing on the works of postcolonial thinkers and theorists, this course will introduce students to disciplines such as visual studies, media studies, and propaganda studies. Additionally, Visions of Empire will encourage students to deconstruct images and representations productively, identifying the different mechanisms that constitute what Roland Barthes aptly termed the rhetoric of the image.
FREN 4777 – Postcolonial Science Fiction
This course offers students an introduction to francophone Maghrebi speculative fiction, and its relationship to postcolonial literary studies. Class readings will draw broadly from across the genre of speculative fiction, including science fiction novels, YA fantasy, dystopian narratives, and fairy tales, all written by authors either from the Maghreb or of Maghrebi descent. As we read, we will examine the relationship between the speculative mode found in these works, and issues in postcolonial literary studies. As Jessica Langer argues in Postcolonialism and Science Fiction, “The figure of the alien – extraterrestrial, technological, human-hybrid or otherwise – and the figure of the far-away planet ripe for the taking are deep and abiding twin signifiers in science fiction… [and] these two signifiers are, in fact, the very same twin myths of colonialism.” Taking these “twin myths” as a point of departure, this course will ask how authors have used what is often assumed to be a “Western” or even “colonial” genre, and repurposed it to explore questions of revolution, decolonization, postcoloniality, and globalization.
Fall 2024 Courses
FREN 1001 Introductory French I
A. Emmitte, P. Janssens
FREN 1002 Introductory French II
A. Emmitte, J. Sanderson
FREN 1009 French for Spanish Speakers
J. Sanderson
FREN 1011 Intensive Basic French
S. Cohen-Scali
FREN 1501 Intermediate French I
S. Cohen-Scali, S. Lee, S. A. Madjlessi, P. Young
FREN 1502 Intermediate French II
N. Erradi, S. A. Madjlessi, I. Smorodinsky, P. Young
FREN 1511 Intensive Intermediate French
S. Cohen-Scali, H. Anaye, A. Webel
FREN 2001 Advanced French I
G. Daumas, N. Erradi
FREN 2002 Advanced French II
J. Boum Make, N. Erradi
FREN 2011 Intensive Advanced French I
I. Smorodinsky & E. Twohig
FREN 2012 Intensive Advanced French II
A. O’Neil-Henry & A. Webel
FREN 2551 Advanced Grammar and Writing
S. Durmelat, J. Johnson, G. Spielmann
FREN 2761 Topics for Oral Proficiency
B. Bridaa, J. Le Guelte
FREN 2762 Topics for French Oral Proficiency: Francophone Africa
B. Bridaa
FREN 3350 Rdg Txts/Fr-Speak World: Cultures
J. Boum Make, S. Durmelat
FREN 3351 Rdg Txts/Fr-Speak World: Lits
J. Johnson
FREN 3595 Making Sense of Language
G. Spielmann
FREN 3701 Business French
B. Bridaa
FREN 3703 French Phonetics
I. Smorodinsky
FREN 4135 Contemp. Belgian Lit & Culture
P. Taminiaux
FREN 4371 19th Century Best Sellers
A. O’Neil-Henry
FREN 4555 Visions of Empire
J. Le Guelte
FREN 4777 Postcolonial Science Fiction
E. Twohig